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        <Text language="fre">&lt;p&gt;Pourquoi les hommes ont-ils de tout temps été attirés par ces plantes venues d’ailleurs ? Et comment sont-ils parvenus à les protéger de nos climats peu favorables en créant des serres — froides ou chaudes — ou des orangeries, de la plus humble à la plus grandiose ?&lt;/p&gt;&lt;p&gt;L’auteur retrace la quête des hommes, depuis le début du XVIIe siècle jusqu’à nos jours, pour jouir du plaisir de posséder et contempler ces végétaux venus des tropiques. Durant des siècles, botanistes, jardiniers et propriétaires vont se trouver confrontés à de nombreux défis : progresser dans la connaissance de la biologie des plantes, maîtriser les matériaux de construction des serres et inventer de nouveaux modes de chauffage. L’usage du fer et de la fonte, les innovations des verriers et le chauffage par thermosiphon, dans les années 1850, transformeront les serres en palais de verre et les plantes chétives en forêts tropicales !&lt;/p&gt;&lt;p&gt;Cet ouvrage nous entraîne dans le monde entier depuis le Jardin des plantes de Paris ou les serres royales de Kew en Angleterre, témoins de ces grands palais de verre du passé, jusqu’aux édifices actuels de Graz en Autriche, de Curitiba au Brésil ou l’époustouflante serre de l’aéroport Changi de Singapour… C’est ce long cheminement, des débuts balbutiants des années 1600 au renouveau d’aujourd’hui, jalonné par des innovations techniques et le changement de la place du végétal dans nos sociétés contemporaines, qui nous est conté ici avec passion.&lt;/p&gt;&lt;p&gt;Laissons-nous entraîner dans l’histoire de ces grands palais de verre, du plus ancien au plus moderne, entre science et art…&lt;/p&gt;&lt;p&gt;Date de 1ère publication : 07/05/2010&lt;br&gt;&lt;/p&gt;</Text>
        <Text language="eng">This book tells the story of greenhouses from the 17th century to the present day. It traces the ongoing quest for the pleasure of owning and contemplating these plants from the "hot zones". This long journey, punctuated over time by scientific and technical innovations, and by changes in the way European societies view the role of plants, is described, from the earliest beginnings to a revival thanks to modern technologies.</Text>
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        <Text>&lt;p&gt;Ce beau-livre nous conte l’histoire des serres du XVIIe siècle à nos jours. Il retrace la quête permanente du plaisir de posséder et contempler ces végétaux venus des « zones torrides ». C’est ce long cheminement, jalonné au fil du temps par des nouveautés scientifiques et techniques, par des changements du regard des sociétés européennes sur la place du végétal, qui est décrit ici, depuis des débuts balbutiants jusqu’à un renouveau grâce aux technologies modernes.&lt;br&gt;&lt;/p&gt;</Text>
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        <Text language="fre">&lt;p&gt;&lt;b&gt;De la protection des plantes au plaisir de la société&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;Serre ou orangerie ?&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;Le jardinier, « l’orfèvre De la terre »&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;1600-1820 - Abris et serres chaudes&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;b&gt;Construire&lt;/b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;La recherche permanente du soleil&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Un choix restreint de matériaux&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Protéger du froid&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;Paillassons et couvertures&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Tan et poêle à feu&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Mesurer température et hygrométrie&amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt; &amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Les autres types d’abris&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Dans l’empire du Milieu&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;1820-1850 - La révolution des serres&amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Un nouveau regard sur le Monde&amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;L’inventeur Jean Simon Bonnemain&amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;Les précurseurs anglais&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;L’architecte Charles Rohault de Fleury&amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Le progrès technique&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;Le soleil perd son pouvoir absolu&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Les verriers innovent&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;Le thermosiphon s’impose&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;1850-1900 - Du pragmatisme au grand art&amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Des lieux de production&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Des palais de cristal&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Des œuvres architecturales&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Vers un changement de paradigme&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;b&gt;De l’artisanat au productivisme&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;b&gt;Quand les serres se démocratisent&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;b&gt;Quand les serres servent à la présentation&amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;b&gt;Une évolution vers des serres de recherche ou touristiques&amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;b&gt;Un avenir pour les serres ?&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;Annexes&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;Bibliographie des ouvrages consultés&lt;/p&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;</Text>
        <Text language="eng">&lt;p&gt;&lt;b&gt;De la protection des plantes au plaisir de la société&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;Serre ou orangerie ?&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;Le jardinier, « l’orfèvre De la terre »&lt;/p&gt;&lt;p&gt;&lt;b&gt;1600-1820 - Abris et serres chaudes&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;b&gt;Construire&lt;/b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;La recherche permanente du soleil&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Un choix restreint de matériaux&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Protéger du froid&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;Paillassons et couvertures&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Tan et poêle à feu&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Mesurer température et hygrométrie&amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt; &amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Les autres types d’abris&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Dans l’empire du Milieu&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;1820-1850 - La révolution des serres&amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Un nouveau regard sur le Monde&amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;L’inventeur Jean Simon Bonnemain&amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;Les précurseurs anglais&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;L’architecte Charles Rohault de Fleury&amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Le progrès technique&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;Le soleil perd son pouvoir absolu&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Les verriers innovent&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;Le thermosiphon s’impose&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;1850-1900 - Du pragmatisme au grand art&amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Des lieux de production&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Des palais de cristal&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Des œuvres architecturales&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Vers un changement de paradigme&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;b&gt;De l’artisanat au productivisme&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;b&gt;Quand les serres se démocratisent&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;b&gt;Quand les serres servent à la présentation&amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;b&gt;Une évolution vers des serres de recherche ou touristiques&amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;b&gt;Un avenir pour les serres ?&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;Annexes&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;Bibliographie des ouvrages consultés&lt;/p&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;</Text>
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            <TitleText>Beaux livres</TitleText>
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        <BiographicalNote language="fre">Ingénieur horticole et paysagiste, Yves-Marie Allain a été en charge du Jardindes plantes de Paris et de l’Arboretum de Chèvreloup. Il partage aujourd’huises connaissances à travers des conférences et de nombreux livres sur larelation hommes-plantes.</BiographicalNote>
        <BiographicalNote language="eng">Yves-marie Allain is a horticultural engineer and landscape gardener trained at the Potager du roi in Versailles. He was first director of green spaces for local authorities, before joining the Muséum national d'histoire naturelle, in charge of the Jardin des plantes de Paris and the Arboretum de Chèvreloup. He has written numerous books on the relationship between man and plants, including “Une histoire des serres” and “Une histoire des jardins potagers”, published by Quæ.</BiographicalNote>
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        <Text language="fre">&lt;p&gt;Pourquoi les hommes ont-ils de tout temps été attirés par ces plantes venues d’ailleurs ? Et comment sont-ils parvenus à les protéger de nos climats peu favorables en créant des serres — froides ou chaudes — ou des orangeries, de la plus humble à la plus grandiose ?&lt;/p&gt;&lt;p&gt;L’auteur retrace la quête des hommes, depuis le début du XVIIe siècle jusqu’à nos jours, pour jouir du plaisir de posséder et contempler ces végétaux venus des tropiques. Durant des siècles, botanistes, jardiniers et propriétaires vont se trouver confrontés à de nombreux défis : progresser dans la connaissance de la biologie des plantes, maîtriser les matériaux de construction des serres et inventer de nouveaux modes de chauffage. L’usage du fer et de la fonte, les innovations des verriers et le chauffage par thermosiphon, dans les années 1850, transformeront les serres en palais de verre et les plantes chétives en forêts tropicales !&lt;/p&gt;&lt;p&gt;Cet ouvrage nous entraîne dans le monde entier depuis le Jardin des plantes de Paris ou les serres royales de Kew en Angleterre, témoins de ces grands palais de verre du passé, jusqu’aux édifices actuels de Graz en Autriche, de Curitiba au Brésil ou l’époustouflante serre de l’aéroport Changi de Singapour… C’est ce long cheminement, des débuts balbutiants des années 1600 au renouveau d’aujourd’hui, jalonné par des innovations techniques et le changement de la place du végétal dans nos sociétés contemporaines, qui nous est conté ici avec passion.&lt;/p&gt;&lt;p&gt;Laissons-nous entraîner dans l’histoire de ces grands palais de verre, du plus ancien au plus moderne, entre science et art…&lt;/p&gt;&lt;p&gt;Date de 1ère publication : 07/05/2010&lt;br&gt;&lt;/p&gt;</Text>
        <Text language="eng">This book tells the story of greenhouses from the 17th century to the present day. It traces the ongoing quest for the pleasure of owning and contemplating these plants from the "hot zones". This long journey, punctuated over time by scientific and technical innovations, and by changes in the way European societies view the role of plants, is described, from the earliest beginnings to a revival thanks to modern technologies.</Text>
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        <Text>&lt;p&gt;Ce beau-livre nous conte l’histoire des serres du XVIIe siècle à nos jours. Il retrace la quête permanente du plaisir de posséder et contempler ces végétaux venus des « zones torrides ». C’est ce long cheminement, jalonné au fil du temps par des nouveautés scientifiques et techniques, par des changements du regard des sociétés européennes sur la place du végétal, qui est décrit ici, depuis des débuts balbutiants jusqu’à un renouveau grâce aux technologies modernes.&lt;br&gt;&lt;/p&gt;</Text>
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        <Text language="fre">&lt;p&gt;&lt;b&gt;De la protection des plantes au plaisir de la société&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;Serre ou orangerie ?&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;Le jardinier, « l’orfèvre De la terre »&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;1600-1820 - Abris et serres chaudes&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;b&gt;Construire&lt;/b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;La recherche permanente du soleil&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Un choix restreint de matériaux&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Protéger du froid&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;Paillassons et couvertures&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Tan et poêle à feu&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Mesurer température et hygrométrie&amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt; &amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Les autres types d’abris&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Dans l’empire du Milieu&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;1820-1850 - La révolution des serres&amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Un nouveau regard sur le Monde&amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;L’inventeur Jean Simon Bonnemain&amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;Les précurseurs anglais&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;L’architecte Charles Rohault de Fleury&amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Le progrès technique&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;Le soleil perd son pouvoir absolu&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Les verriers innovent&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;Le thermosiphon s’impose&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;1850-1900 - Du pragmatisme au grand art&amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Des lieux de production&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Des palais de cristal&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Des œuvres architecturales&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Vers un changement de paradigme&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;b&gt;De l’artisanat au productivisme&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;b&gt;Quand les serres se démocratisent&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;b&gt;Quand les serres servent à la présentation&amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;b&gt;Une évolution vers des serres de recherche ou touristiques&amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;b&gt;Un avenir pour les serres ?&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;Annexes&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;Bibliographie des ouvrages consultés&lt;/p&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;</Text>
        <Text language="eng">&lt;p&gt;&lt;b&gt;De la protection des plantes au plaisir de la société&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;Serre ou orangerie ?&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;Le jardinier, « l’orfèvre De la terre »&lt;/p&gt;&lt;p&gt;&lt;b&gt;1600-1820 - Abris et serres chaudes&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;b&gt;Construire&lt;/b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;La recherche permanente du soleil&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Un choix restreint de matériaux&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Protéger du froid&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;Paillassons et couvertures&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Tan et poêle à feu&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Mesurer température et hygrométrie&amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt; &amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Les autres types d’abris&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Dans l’empire du Milieu&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;1820-1850 - La révolution des serres&amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Un nouveau regard sur le Monde&amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;L’inventeur Jean Simon Bonnemain&amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;Les précurseurs anglais&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;L’architecte Charles Rohault de Fleury&amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Le progrès technique&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;Le soleil perd son pouvoir absolu&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Les verriers innovent&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;Le thermosiphon s’impose&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;1850-1900 - Du pragmatisme au grand art&amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Des lieux de production&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Des palais de cristal&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Des œuvres architecturales&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Vers un changement de paradigme&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;b&gt;De l’artisanat au productivisme&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;b&gt;Quand les serres se démocratisent&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;b&gt;Quand les serres servent à la présentation&amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;b&gt;Une évolution vers des serres de recherche ou touristiques&amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;b&gt;Un avenir pour les serres ?&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;Annexes&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;Bibliographie des ouvrages consultés&lt;/p&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;</Text>
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        <Text language="fre">&lt;p&gt;Pourquoi les hommes ont-ils de tout temps été attirés par ces plantes venues d’ailleurs ? Et comment sont-ils parvenus à les protéger de nos climats peu favorables en créant des serres — froides ou chaudes — ou des orangeries, de la plus humble à la plus grandiose ?&lt;/p&gt;&lt;p&gt;L’auteur retrace la quête des hommes, depuis le début du XVIIe siècle jusqu’à nos jours, pour jouir du plaisir de posséder et contempler ces végétaux venus des tropiques. Durant des siècles, botanistes, jardiniers et propriétaires vont se trouver confrontés à de nombreux défis : progresser dans la connaissance de la biologie des plantes, maîtriser les matériaux de construction des serres et inventer de nouveaux modes de chauffage. L’usage du fer et de la fonte, les innovations des verriers et le chauffage par thermosiphon, dans les années 1850, transformeront les serres en palais de verre et les plantes chétives en forêts tropicales !&lt;/p&gt;&lt;p&gt;Cet ouvrage nous entraîne dans le monde entier depuis le Jardin des plantes de Paris ou les serres royales de Kew en Angleterre, témoins de ces grands palais de verre du passé, jusqu’aux édifices actuels de Graz en Autriche, de Curitiba au Brésil ou l’époustouflante serre de l’aéroport Changi de Singapour… C’est ce long cheminement, des débuts balbutiants des années 1600 au renouveau d’aujourd’hui, jalonné par des innovations techniques et le changement de la place du végétal dans nos sociétés contemporaines, qui nous est conté ici avec passion.&lt;/p&gt;&lt;p&gt;Laissons-nous entraîner dans l’histoire de ces grands palais de verre, du plus ancien au plus moderne, entre science et art…&lt;/p&gt;&lt;p&gt;Date de 1ère publication : 07/05/2010&lt;br&gt;&lt;/p&gt;</Text>
        <Text language="eng">This book tells the story of greenhouses from the 17th century to the present day. It traces the ongoing quest for the pleasure of owning and contemplating these plants from the "hot zones". This long journey, punctuated over time by scientific and technical innovations, and by changes in the way European societies view the role of plants, is described, from the earliest beginnings to a revival thanks to modern technologies.</Text>
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        <Text>&lt;p&gt;Ce beau-livre nous conte l’histoire des serres du XVIIe siècle à nos jours. Il retrace la quête permanente du plaisir de posséder et contempler ces végétaux venus des « zones torrides ». C’est ce long cheminement, jalonné au fil du temps par des nouveautés scientifiques et techniques, par des changements du regard des sociétés européennes sur la place du végétal, qui est décrit ici, depuis des débuts balbutiants jusqu’à un renouveau grâce aux technologies modernes.&lt;br&gt;&lt;/p&gt;</Text>
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        <Text language="fre">&lt;p&gt;&lt;b&gt;De la protection des plantes au plaisir de la société&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;Serre ou orangerie ?&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;Le jardinier, « l’orfèvre De la terre »&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;1600-1820 - Abris et serres chaudes&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;b&gt;Construire&lt;/b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;La recherche permanente du soleil&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Un choix restreint de matériaux&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Protéger du froid&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;Paillassons et couvertures&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Tan et poêle à feu&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Mesurer température et hygrométrie&amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt; &amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Les autres types d’abris&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Dans l’empire du Milieu&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;1820-1850 - La révolution des serres&amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Un nouveau regard sur le Monde&amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;L’inventeur Jean Simon Bonnemain&amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;Les précurseurs anglais&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;L’architecte Charles Rohault de Fleury&amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Le progrès technique&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;Le soleil perd son pouvoir absolu&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Les verriers innovent&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;Le thermosiphon s’impose&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;1850-1900 - Du pragmatisme au grand art&amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Des lieux de production&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Des palais de cristal&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Des œuvres architecturales&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Vers un changement de paradigme&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;b&gt;De l’artisanat au productivisme&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;b&gt;Quand les serres se démocratisent&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;b&gt;Quand les serres servent à la présentation&amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;b&gt;Une évolution vers des serres de recherche ou touristiques&amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;b&gt;Un avenir pour les serres ?&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;Annexes&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;Bibliographie des ouvrages consultés&lt;/p&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;</Text>
        <Text language="eng">&lt;p&gt;&lt;b&gt;De la protection des plantes au plaisir de la société&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;Serre ou orangerie ?&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;Le jardinier, « l’orfèvre De la terre »&lt;/p&gt;&lt;p&gt;&lt;b&gt;1600-1820 - Abris et serres chaudes&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;b&gt;Construire&lt;/b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;La recherche permanente du soleil&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Un choix restreint de matériaux&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Protéger du froid&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;Paillassons et couvertures&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Tan et poêle à feu&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Mesurer température et hygrométrie&amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt; &amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Les autres types d’abris&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Dans l’empire du Milieu&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;1820-1850 - La révolution des serres&amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Un nouveau regard sur le Monde&amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;L’inventeur Jean Simon Bonnemain&amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;Les précurseurs anglais&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;L’architecte Charles Rohault de Fleury&amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Le progrès technique&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;Le soleil perd son pouvoir absolu&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Les verriers innovent&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;Le thermosiphon s’impose&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;1850-1900 - Du pragmatisme au grand art&amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Des lieux de production&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Des palais de cristal&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Des œuvres architecturales&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Vers un changement de paradigme&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;b&gt;De l’artisanat au productivisme&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;b&gt;Quand les serres se démocratisent&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;b&gt;Quand les serres servent à la présentation&amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;b&gt;Une évolution vers des serres de recherche ou touristiques&amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;b&gt;Un avenir pour les serres ?&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;Annexes&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;Bibliographie des ouvrages consultés&lt;/p&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;</Text>
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